Compact Cassette

The Compact Cassette, often referred to as audio cassette, cassette tape, cassette, or simply tape, is a magnetic tape sound recording format(SONY Vaio VGN-CR13/P battery). Although originally designed for dictation, improvements in fidelity led the Compact Cassette to supplant the Stereo 8 track cartridge and reel-to-reel tape recording in most non-professional applications(SONY Vaio VGN-CR13/R battery). Its uses ranged from portable audio to home recording to data storage for early microcomputers. Between the early 1970s and ending in the late 1990s, the cassette was one of the two most common formats for prerecorded music, first alongside the LP and later the Compact Disc(SONY Vaio VGN-CR13/W battery).

Compact Cassettes consist of two miniature spools, between which a magnetically coated plastic tape is passed and wound. These spools and their attendant parts are held inside a protective plastic shell(SONY Vaio VGN-CR13/W battery). Two stereo pairs of tracks (four total) or two monaural audio tracks are available on the tape; one stereo pair or one monophonic track is played or recorded when the tape is moving in one direction and the second pair when moving in the other direction(SONY Vaio VGN-CR13G battery). This reversal is achieved either by manually flipping the cassette or by having the machine itself change the direction of tape movement ("auto-reverse")(SONY Vaio VGN-CR13G/B battery).

History

Cassettes of varying tape quality and playing time.

One of the first (portable) Cassette Recorder from Philips

Typ EL 3302 (1968)

In 1935, decades before the introduction of the Compact Cassette, AEG, released the first reel-to-reel tape recorder (SONY Vaio VGN-CR13G/L battery) (in German: Tonbandgerät), with the commercial name "Magnetophon", based on the invention of the magnetic tape (1928) by Fritz Pfleumer, which was using similar technology, but with open reels, for which the tape was manufactured by BASF(SONY Vaio VGN-CR13G/W battery). These instruments were still very expensive and relatively difficult to use, therefore were mostly used by professionals in radio stations and recording studios. For private use the (reel to reel) tape recorder was not very common and only slowly took off from about the 1950s(SONY Vaio VGN-CR13G/P battery). With prices between 700 and 1500 DM (which would now be about 3100 to 6700 EUR) still being far too expensive for the mass market and while still using vacuum tubes built very bulky. In the 1960s however the prices dropped(SONY Vaio VGN-CR13G/R battery), so that reel-to-reel tape recorders could have been found in the better equipped households from then on.

In 1958, following four years of development, RCA Victor introduced the stereo, quarter-inch, reversible, reel-to-reel RCA tape cartridge(SONY Vaio VGN-CR13T/L battery). It was a cassette, big (5" x 7"), but offered few pre-recorded tapes; despite multiple versions, it failed.

In 1962 Philips invented the compact audio cassette medium for audio storage, introducing it in Europe in August 1963 (at the Berlin Radio Show), and in the United States (under the Norelco brand) in November 1964, with the trademark name Compact Cassette(SONY Vaio VGN-CR13T/P battery).

Although there were other magnetic tape cartridge systems, the Compact Cassette became dominant as a result of Philips' decision in the face of pressure from Sony to license the format free of charge. Philips also released the Norelco Carry-Corder 150 recorder/player in the U.S. in November 1964(SONY Vaio VGN-CR13T/R battery). By 1966 over 250,000 recorders had been sold in the US alone and Japan soon became the major source of recorders. By 1968, 85 manufacturers had sold over 2.4 million players(SONY Vaio VGN-CR13T/W battery).

In the early years, sound quality was mediocre, but it improved dramatically by the early 1970s when it caught up with the quality of 8-track tape and kept improving. Cassette went on to become a popular (and re-recordable) alternative to the 12 inch vinyl LP during the late 1970s(SONY Vaio VGN-CR15/B battery).

Introduction of music cassettes

The mass production of compact audio cassettes began in 1964 in Hannover, Germany. Prerecorded music cassettes (also known as Musicassettes; M.C. for short) were launched in Europe in late 1965. The Mercury Record Company, a U.S. affiliate of Philips, introduced M.C. to the U.S. in July 1966(SONY Vaio VGN-CR190 battery). The initial offering consisted of 49 titles However, the system had been initially designed for dictation and portable use, with the audio quality of early players not well suited for music. Some early models also had unreliable mechanical design(SONY Vaio VGN-CR190E/L battery). In 1971 the Advent Corporation introduced their Model 201 tape deck that combined Dolby type B noise reduction and chromium dioxide (CrO2) tape, with a commercial-grade tape transport mechanism supplied by the Wollensak camera division of 3M Corporation(SONY Vaio VGN-CR190E/P battery). This resulted in the format being taken more seriously for musical use, and started the era of high fidelity cassettes and players.

During the 1980s, the cassette's popularity grew further as a result of portable pocket recorders and hi-fi players such as Sony's Walkman, which used a body not much larger than the cassette tape itself(SONY Vaio VGN-CR190E/R battery), with mechanical keys on one side, or electronic buttons or display on the face. Sony even made the WM-10 which was smaller than the cassette itself and expanded to hold and play a cassette(SONY Vaio VGN-CR190E/W battery).

1979 Sony Walkman

Like the transistor radio in the 1950s and 1960s, the portable CD player in the 1990s, and the MP3 player in the 2000s, the Walkman defined the portable music market in the 1980s, with cassette sales overtaking those of LPs(SONY Vaio VGN-CR21/B battery). Total vinyl record sales remained higher well into the 1980s due to greater sales of singles, although cassette singles achieved popularity for a period in the 1990s(SONY Vaio VGN-CR21E/L battery).

Apart from the purely technical advances cassettes brought, they also served as catalysts for social change. Their durability and ease of copying helped bring underground rock and punk music behind the Iron Curtain, creating a foothold for Western culture among the younger generations(SONY Vaio VGN-CR21E/P battery). For similar reasons, cassettes became popular in developing nations.

One of the most famous political uses of cassette tapes was the dissemination of sermons by the Ayatollah Khomeini throughout Iran before the 1979 Iranian Revolution, in which Khomeini urged the overthrow of the regime of the Shah, Mohammad Reza Pahlavi(SONY Vaio VGN-CR21E/W battery).

In 1970s India, they were blamed for bringing unwanted secular influences into traditionally religious areas. Cassette technology was a booming market for pop music in India, drawing criticism from(SONY Vaio VGN-CR21S/L battery) conservatives while at the same time creating a huge market for legitimate recording companies and pirated tapes. In some countries, particularly in the developing countries, cassettes still remain the dominant medium for purchasing and listening to music(SONY Vaio VGN-CR21S/P battery).

Decline

In many Western countries, the market for cassettes has declined sharply since its peak in the late 1980s. This has been particularly noticeable with pre-recorded cassettes, whose sales were overtaken by those of Compact Discs during the early 1990s(SONY Vaio VGN-CR21S/W battery). By 1993, annual shipments of CD players had reached 5 million, up 21% from the year before, while cassette player shipments had dropped 7% to approximately 3.4 million. The decline continued such that in 2001 cassettes accounted for only 4% of all music sold. Since then, the pre-recorded market has undergone further decline(SONY Vaio VGN-CR21Z/N battery), with few retailers stocking them because they are no longer issued by the major music labels. Sales of pre-recorded music cassettes in the U.S. dropped from 442 million in 1990 to 274,000 by 2007. 2009 saw another record low with 34,000 cassettes sold(SONY Vaio VGN-CR21Z/R battery), and 2,000 of those albums were at least 36 months old, bought at independent retailers in the south Atlantic region, in the suburbs. Most of the major U.S. music companies had discontinued them by late 2002 or 2003(SONY Vaio VGN-CR220E/R battery). However, as of 2011, blank cassettes are still being produced and are sold at many retail stores, and facilities for cassette duplication remain available. Cassette recorders and players are gradually becoming scarcer, but are still widely available and featured in a notable percentage of Hi-Fi systems(SONY Vaio VGN-CR23/B battery).

Cassettes remained popular for specific applications, such as car audio, well into the 1990s. Cassettes and their players were typically more rugged and resistant to dust, heat and shocks than the main digital competitor (the CD) (SONY Vaio VGN-CR23/P battery). Their lower fidelity was not considered a serious drawback inside the typically noisy automobile interior of the time. However, the advent of "shock proof" buffering technology in CD players, the reduction of in-car noise levels(SONY Vaio VGN-CR23/R battery), the general heightening of consumer expectations, and the introduction of CD auto-changers meant that by the early 2000s, the CD player was rapidly replacing the cassette player as the default audio component in the majority of new vehicles in Europe and America(SONY Vaio VGN-CR23/L battery).

While digital voice recorders are now common, Compact Cassette (or frequently microcassette) recorders may be cheaper and of sufficient quality to serve as adjuncts or substitutes for note taking in business and educational settings(SONY Vaio VGN-CR23/N battery). Audiobooks, church services, and other spoken word material are still frequently sold on cassette, as lower fidelity is generally not a drawback for such content. While most publishers sell CD audiobooks(SONY Vaio VGN-CR23/W battery), they usually also offer a cassette version at the same price. In the audiobooks application, where recordings may span several hours, cassettes also have the advantage of holding up to 120 minutes of material whereas the average CD holds fewer than 80(Dell Latitude E5400 battery).

While cassettes and related equipment have become increasingly marginal in commercial music sales, recording on analog tape remains a desirable option for some, however that method is recently being overtaken by portable digital recorders(Dell Latitude E6400 battery). Musicians in the indie rock community have showed slight interest in releasing cassettes. Artists such as Dirty Projectors and Deerhunter have made recent titles available on cassette, and Thurston Moore of Sonic Youth has claimed "I only listen to cassettes(Dell Latitude E6500 battery)."

Among the last in the developed countries to leave the compact cassette format are artists and groups belonging to the "dansband" genre, who many still in the early 2000s had released their albums both to CD and to compact cassettes(Sony VAIO PCG-5K1L battery). Since many of their fans now are older, they often belong to a generation who was less interested in buying a CD player. However, also in this genre fewer artists and groups release recordings on compact cassette(Sony VAIO PCG-6W2L battery). As late as 2006, Lasse Stefanz and Torgny Melins released their latest albums to both Compact Cassette and CD.

In India, film and devotional music continues to be released in the audio cassette format due to its low cost(Sony VAIO PCG-7112L battery).

Botswana-based Diamond studios recently announced plans for establishing a plant to mass-produce cassettes in a bid to combat piracy.

In recent years, the audio cassette format has seen a revival with independent record labels ("indie" labels) preferring to issue releases in this format due to its low cost and the difficulty in sharing tape music over the internet(Sony VAIO PCG-8Z1L battery). Underground and DIY communities release regularly, and sometimes exclusively, on cassette format, particularly in experimental music circles and to a lesser extent in hardcore punk circles, out of a fondness for the format(Sony VAIO PCG-8Z2L battery).

Features

The cassette was a great step forward in convenience from reel-to-reel audio tape recording, though because of the limitations of the cassette's size and speed, it initially compared poorly in quality. Unlike the 4-track stereo open reel format(Sony VAIO PCG-8Y2L battery), the two stereo tracks of each side lie adjacent to each other rather than being interleaved with the tracks of the other side. This permitted monaural cassette players to play stereo recordings "summed" as mono tracks and permitted stereo players to play mono recordings through both speakers(Sony VAIO PCG-8Y1L battery). The tape is 3.81 mm (0.150 in) wide, with each stereo track 0.6 mm wide and an unrecorded guard band between each track. The tape moves at 4.76 cm/s (1 7/8 in/s) from left to right. For comparison, the typical open reel format in consumer use was ¼ inch (6.35 mm) wide(Sony VAIO PCG-7Z2L battery), each stereo track nominally 1⁄16 inch (1.59 mm) wide, and running at either 9.5 or 19 cm/s (3.75 or 7.5 in/s).

Cassette types

Notches on the top surface of the audio cassette indicate its type. The rearmost cassette at the top of this picture, with only write protect notches (here covered by write protect tabs), is a Type I. The next cassette down(Sony VAIO PCG-7Z1L battery), with additional notches adjacent to the write protect notch, is a Type II. The bottom two cassettes, featuring the Type II notches plus an additional pair in the middle of the cassette are type IV (metal); note the removal of the tabs on the second of these, meaning the tape is write-protected(Sony VAIO PCG-7133L battery).

Cassette tapes are made of a polyester type plastic film with a magnetic coating. The original magnetic material was based on gamma ferric oxide (Fe2O3). Circa 1970, 3M Company developed a cobalt volume-doping process combined with a double-coating technique to enhance overall tape output levels(Sony VAIO PCG-7113L battery). This product was marketed as "High Energy" under its Scotch brand of recording tapes. Inexpensive cassettes are commonly labeled "low-noise," but typically are not optimized for high frequency response(Sony VAIO PCG-6W3L battery). For this reason, some low-grade IEC Type I tapes have specifically been marketed as better suited for data storage than sound recording.

At about the same time, chromium dioxide (CrO2) was introduced by DuPont, the inventor of the particle, and BASF(Sony VAIO PCG-7111L battery), the inventor of magnetic recording, and then coatings using magnetite (Fe3O4) such as TDK's Audua were produced in an attempt to approach the sound quality of vinyl records. Cobalt-absorbed iron oxide (Avilyn) was introduced by TDK in 1974 and proved very successful(Sony VAIO PCG-6W1L battery). Finally pure metal particles (as opposed to oxide formulations) were introduced in 1979 by 3M under the trade name Metafine. The tape coating on most Cassettes sold today as either "Normal" or "Chrome" consists of ferric oxide and cobalt mixed in varying ratios (and using various processes) (Sony VAIO PCG-6V1L battery); there are very few cassettes on the market that use a pure (CrO2) coating.

Simple voice recorders are designed to work with standard ferric formulations. High fidelity tape decks are usually built with switches or detectors for the different bias and equalization requirements for high performance tapes(Sony VAIO PCG-6S3L battery). The most common, iron oxide tapes (defined by an IEC standard as "Type I"), use 120 µs playback equalization, while chrome and cobalt-absorbed tapes (IEC Type II) require 70 µs playback equalization(Sony VAIO PCG-6S2L battery). The recording "bias" equalizations were also different (and had a much longer time constant). BASF and Sony tried a dual layer tape with both ferric oxide and chrome dioxide known as 'ferrichrome' (FeCr) (IEC Type III), but these were only available for a short time in the 1970s(Sony VAIO PCG-5L1L battery). Metal Cassettes (IEC Type IV) also use 70 µs playback equalization, and provide still further improvements in sound quality.[27] The quality is normally reflected in the price; Type I cassettes are generally cheapest, and Type IV usually the most expensive(Sony VAIO PCG-5K2L battery). BASF chrome tape used in commercially pre-recorded cassettes used 120 µs (type I) playback equalization to allow greater high frequency dynamic range for better sound quality, but the greater selling point for the music labels was that the same Type I cassette shell could be used for both ferric and for chrome music cassettes(Sony VAIO PCG-5J2L battery).

Notches on top of the cassette shell indicate the type of tape within. Type I cassettes only have write-protect notches, Type II have an additional pair next to the write protection ones, and Type IV (metal) have a third set in the middle of the cassette shell(Sony VAIO PCG-5J1L battery). These allow cassette decks to automatically detect the tape type and select the proper bias and equalization. Virtually all recent hi-fi systems (with cassette decks) lack this feature; only a small niche of cassette decks (hi-fi separates) have the tape type selector(Sony VAIO PCG-5G3L battery). Playback of Type II and IV tapes on a player without detection will produce exaggerated treble, but it may not be noticeable because typically such devices have amplifiers that lack extended high frequency output. Recording on these units, however(Sony VAIO PCG-5G2L battery), results in very low sound reproduction and sometimes distortion and hiss is heard. Also, these cheaper units cannot erase high bias or metal bias tapes. Attempting to do so will result in "print-through"(Sony VGP-BPS21A/B battery).

Playback length

Tape length is usually measured in minutes of total playing time. The most popular varieties are C46 (23 minutes per side), C60 (30 minutes per side), C90, and C120. The C46 and C60 lengths are typically 15–16 µm thick, but C90s are 10–11 µm and C120s are just 9 µm thick, rendering them more susceptible to stretching or breakage(Sony VGP-BPS21/S battery). Some vendors are more generous than others, providing 132 meters (433 feet) or 135 meters (442 feet) rather than 129 meters (423 feet) of tape for a C90 cassette. C180 and even C240 tapes were available at one time, but these were extremely thin and fragile and suffered badly from effects such as print-through(Sony VGP-BPS21B battery), which made them unsuitable for general use.

Although the TDK-D C180 was produced for two decades, it is very rare, because of several technical flaws. The tape had to be so thin that it was nearly transparent and therefore had fewer particles to magnetize(Sony VGP-BPS21 battery), resulting in a poor sound quality and even worse durability. It required a strong motor to be driven, and had high wow and flutter. Finally, it took a relatively long time to rewind.

Other lengths are (or were) also available from some vendors(Sony VGN-FW31J battery), including C10 and C15 (useful for saving data from early home computers and in telephone answering machines), C30, C50, C54, C64, C70, C74, C80, C84, C100, C105, and C110. As of 2010, Thomann still offers C10, C20, C30 and C40 IEC Type II tapes for use with 4- and 8-track portastudios(Sony VGP-BPS13A/S battery).

Some companies included a complimentary blank cassette with their portable cassette recorders in the early 1980s. Panasonic's was a C14 and came with a song recorded on side one, and a blank side two. Except for C74 and C100(Sony VGP-BPS13B/S battery), such non-standard lengths have always been hard to find, and tend to be more expensive than the more popular lengths. Home taping enthusiasts may have found certain lengths useful for fitting an album neatly on one or both sides of a tape(Sony VGP-BPS13S battery). For instance, the initial maximum playback time of Compact Discs was 74 minutes, explaining the relative popularity of C74 cassettes.

Inside a cassette showing the leader at the beginning of side A. The tape "plays" from left to right (though of course an auto-reverse deck can play in either direction) (Sony VGP-BPS13AS battery). The tape is pressed into close contact with the head by the pressure pad; guide rollers help keep the tape in the correct position. Smooth running is assisted by a slippery liner (slip sheet) between the spools and the shell(Sony PCGA-BP2EA battery); here the liner is transparent. The magnetic shield reduces pickup of stray signals by the heads of the player. The tab at the top-left corner of the shell permits recording on the current side(Sony VGP-BPS13/B battery).

Write-protection

All Compact Cassettes include a write protection mechanism to prevent re-recording and accidental erasure of important material. Each side of the cassette has a plastic tab on the top that may be broken off, leaving a small indentation in the shell(Sony VGP-BPS13/S battery). This indentation allows the entry of a sensing lever that prevents the operation of the recording function when the cassette is inserted into a cassette deck. If the cassette is held with one of the labels facing the user and the tape opening at the bottom, the write-protect tab for the corresponding side is at the top-left(Sony VGP-BPS13A/B battery). Occasionally, manufacturers provided a movable panel that could be used to enable or disable write-protect on tapes.

If later required, a piece of adhesive tape can be placed over the indentation to bypass the protection, or (on some decks), the lever can be manually depressed to record on a protected tape. Extra care is required to avoid covering the additional indents on high bias tape cassettes adjacent to the write-protect tabs(Sony VGP-BPS13B/B battery).

Tape leaders

In most compact cassettes the magnetic tape was attached to each spool with a leader, usually made of strong plastic (see right-hand image). This leader protected the weaker magnetic tape from the shock occurring when the tape reached the end(Sony VGN-FZ11E battery). Leaders can be complex: a plastic slide-in wedge anchors a short fully-opaque plastic tape to the take-up hub; one or more tinted partly-opaque plastic segments follow; the clear leader (a tintless partly opaque plastic segment) (Sony VGN-FZ430E battery) follows that wraps almost all the way around the supply reel before splicing to the magnetic tape itself. The clear leader spreads the shock load to a long stretch of tape instead of to the microscopic splice(Sony VGN-FZ32 battery). Various patents have been issued detailing leader construction and associated tape player mechanisms to detect leaders. Cassette tape users would also use spare leaders to repair broken tapes(Sony VGN-FZ440N battery).

The disadvantage with tape leaders was that the sound recording or playback did not start at the beginning of the tape, forcing the user to cue forward to the start of the magnetic section(Sony VGN-FZ340E/B battery). For certain applications such as dictation special cassettes containing leaderless tapes were made, typically with stronger material and for use in machines which had more sophisticated end of tape prediction(Sony VGN-FZ38 battery).

Endless loop cassette

Compact cassettes were also made that played a continuous loop of tape without stopping. Lengths available are from around 30 seconds to a standard full length. They are used in situations where a short message or musical jingle is to be played(Sony VGN-FZ37 battery), either continuously or whenever a device is triggered, or whenever continuous recording or playing is needed. Some include a sensing foil on the tape to allow tape players to re-cue. From as early as 1969 various patents have been issued, covering uses such as uni-directional, bi-directional(Sony VGN-FZ35 battery), and compatibility with auto-shut-off and anti-tape-eating mechanisms.

Flaws

While ubiquitous and accessible, cassette playback suffered from flaws frustrating to professionals and home recording enthusiasts. Tape speed could vary between devices, resulting in playback pitch that was too low or high(Sony VGN-FZ32B battery), and speed calibration was often fixed at the factory, inaccessible to users. The slow tape speed limited fidelity and tape speed consistency, resulting in poor wow-and-flutter. Different tape formulation and noise reduction schemes artificially boosted or cut high frequencies and inadvertantly elevated noise levels. (Sony Vaio VGN-FZ21J battery)

Cassette players and recorders

The first cassette machines (e.g. the Philips EL 3300, introduced in August, 1963) were simple mono record and playback units. Early machines required attaching an external dynamic microphone(Sony VGN-FZ140E battery). Most units after the 1970s also incorporated built-in condenser microphones, which have extended high frequency response, but may also pick up noises from the recorder motor. A common portable recorder format still common today is a long box, the width of a cassette, with a speaker at the top(Sony Vaio VGN-FZ31J battery ), a cassette bay in the middle, and "piano key" controls at the bottom edge. Another format is only slightly larger than the cassette, also adapted for stereo "Walkman" player applications. The markings of "piano key" controls were soon standardized(Sony VGN-FZ145E battery), and are a legacy still emulated on many software control panels. These symbols are commonly a square for "stop", a right-pointing triangle for "play", double triangles for "fast-forward" and "rewind", a red dot for "record", and a vertically-divided square (two rectangles side-by-side) for "pause"(Sony Vaio VGN-FZ31B battery).

Main article: Cassette deck

A typical portable desktop cassette recorder from RadioShack.

Stereo recorders eventually evolved into high fidelity and were known as cassette decks, after the reel-to-reel decks. Hi-Fi cassette decks, in contract to cassette recorders and cassette players, often didn't have built in amplification or speakers(Sony VGN-FZ18L battery). Many formats of cassette players and recorders have evolved over the years. Initially all were top loading, usually with cassette on one side, VU meters and recording level controls on the other side. Older models used combinations of levers and sliding buttons for control(Sony VGN-FW11M battery).

Nakamichi RX-505 audio cassette deck

A major innovation was the front-loading arrangement. Pioneer's angled cassette bay and the exposed bays of some Sansui models were eventually standardized as a front-loading door into which a cassette would be loaded(Sony VGN-FW11 battery). Later models would adopt electronic buttons, and replace conventional meters (which could be "pegged" when overloaded) with electronic LED or vacuum fluorescent displays, with level controls typically either being controlled by rotary controls or side-by-side sliders(Sony Vaio VGN-FZ18S battery). BIC and Marantz briefly offered models which could be run at double speeds, but Nakamichi was widely recognized as one of the first companies to create decks which rivaled reel-to-reel decks with frequency response from the full 20–20,000 Hz range, low noise(Sony Vaio VGN-FZ210CE battery), and very low wow and flutter. The 3-head closed-loop dual capstan Nakamichi 1000 (1973) is one early example. Unlike typical cassette decks that use a single head for both record and playback plus a second head for erasing, the Nakamichi 1000, like the better reel-to-reel recorders, used three separate heads to optimize these functions(Sony VGN-FZ230E battery).

Other contenders for the highest, "HiFi" quality on this medium were two companies already widely known for their excellent quality reel-to-reel tape recorders: Tandberg and Revox (consumer brand of the Swiss professional Studer company for studio equipment) (Sony Vaio VGN-FZ21S battery). Tandberg started with combi-head machines like the TCD 300 and continued with the TCD 3x0 series with separate playback and recording heads. All TCD-models possessed dual capstan drives, beltdriven from a single capstan motor and two separate reel motors(Sony Vaio VGN-FZ21E battery ). Frequency range extended to 18 kHz. After a disastrous overinvestment in colour television production, Tandberg folded and revived without the HiFi-branch these came from.

Revox went one step further: after much hesitation about whether to accept cassettes as a medium capable for meeting their strict standards from reel to reel recorders at all, they produced their B710MK I (Dolby B) and MK II (Dolby B&C) machines(Sony VGN-FZ18 battery). Both cassette units possessed double capstan drives, but with two independent, electronically controlled capstan motors and two separate reel motors. The head assembly moved by actuating a damped solenoid movement(Sony VGN-FZ190E battery), eliminating all belt drives and other wearable parts. These machines rivaled the Nakamichi in frequency and dynamic range. The B710MKII also achieved 20–20 kHz and dynamics of over 72 dB with Dolby C on chrome and slightly less dynamic range, but a larger headroom with metal tapes and Dolby C(Sony VGN-FZ190 battery). Revox adjusted the frequency range on delivery with many years of use in mind: when new the frequency curve went upwards a few dB at 15–20 kHz, aiming for flat response after 15 years of use and headwear to match(Sony VGP-BPS9/B battery).

A last step taken by Revox produced even more advanced cassette drives with electronic finetuning of bias and equalization during recording. Revox also produced amplifiers, a very expensive FM tuner and a pickup with a special parallel arm mechanism of their own design(Sony VGN-FZ15G battery). After releasing that product, Studer encountered financial difficulties. It had to save itself by folding its Revox-branch and all its consumer products (except their last reel to reel recorder the B77) (Sony VGN-FZ11L battery).

Note that while Nakamichi violated the tape recording standards to achieve the highest dynamics possible, producing non-compatible cassettes for playback on other machines, both Tandberg and Revox kept to the standards and produced cassettes which could be played back on other machines(Sony Vaio VGN-FZ31S battery).

A third company, the well known Danish Bang & Olufsen, invented a special, improved system for improving headroom at high frequencies, to reduce tape saturation despite lower bias levels. This "head room extension method(Sony Vaio VGN-FZ38M battery), HX" was called Dolby HX Pro in full and patented. Their finest machine with HX Pro was the Beocord 9000, which indeed performed excellently. However, this machine's transport possessed only a single capstan and a single drive motor - as opposed to multiple motors dual capstan arrangement(Sony VGN-FZ19VN battery). This did not make the B&O contender a popular choice with HiFi enthusiasts. Most of them favored Nakamichi, Tandberg or Revox instead, which were all more mechanically complex. HX Pro was adopted by other manufacturers including Technics(Sony Vaio VGN-FZ31Z battery), while Aiwa incorporated the technology into their top of the range personal stereos, as well as into their static machines.

As they became aimed at more casual users, fewer decks had microphone inputs. Dual decks became popular and incorporated into home entertainment systems of all sizes for tape dubbing(Sony Vaio VGN-FZ31M battery). Although the quality would suffer each time a source was copied, there are no mechanical restrictions on copying from a record, radio, or another cassette source. Even as CD recorders are becoming more popular, some incorporate cassette decks for professional applications(Sony VGN-FZ11M battery).

An assortment of radio-cassette players, aka ghetto-blasters or "boomboxes"

Another format that made an impact on culture in the 1980s was the radio-cassette, aka the ghetto-blaster or "boom box" (a name commonly used only in the USA), which combined the portable cassette deck with a radio tuner and speakers capable of producing significant sound levels(Sony VGN-FZ11Z battery). These devices became synonymous with urban youth culture in entertainment, which led to the somewhat derisive nickname "ghetto blaster."

Applications for car stereos varied widely. Auto manufacturers in the U.S. would typically fit a cassette slot into their standard large radio faceplates(Sony VGN-FZ220E battery). Europe and Asia would standardize on DIN and double DIN sized faceplates. In the 1980s, a high end installation would have a Dolby AM/FM cassette deck, and they rendered the 8-track cartridge obsolete in car installations because of space(Sony VGN-SZ55 battery), performance and audio quality. As the cost of building CD players declined, many manufacturers offered a CD player, but some cars, especially those targeted at older drivers still offer the option of a cassette player(Sony VGN-SZ56 battery), either by itself, or sometimes in combination with a CD slot. In fact, the 2009 Lexus ES 350 still comes with a cassette player as standard equipment. The newest cars are not often designed to accommodate cassette players(Sony VGN-FZ29VN battery), but the auxiliary jack advertised for MP3 players can also be used with portable cassette players.

A head cleaning cassette

Although the cassettes themselves were relatively durable, the players required regular maintenance to perform properly. Head cleaning may be done with long swabs, soaked with isopropyl alcohol(Sony VGN-FZ290 battery), or cassette-shaped devices that could be inserted into a tape deck to remove buildup of iron-oxide from the heads, tape-drive capstan and pinch-roller. Similarly shaped demagnetizers used magnets to degauss the deck, which kept sound from becoming distorted(Sony VGP-BPL7 battery). A common mechanical problem occurred when a worn-out or dirty player rotated the supply spool faster than the take-up spool or failed to release the heads from the tape upon ejection. This would cause the magnetic tape to be fed out through the bottom of the cassette and become tangled in the mechanism of the player(Sony VGP-BPL12 battery). In these cases the player was said to have "eaten" the tape, and it often destroyed the playability of the cassette altogether, and resulted in the common sight of tangled tape on the side of the road(Sony VGP-BPS12 battery). Cutting blocks, analogous to those used for open reel 1/4" tape were readily available,though mainly used for retrieving valued recordings, could be used to remove the damaged portion of, or repair the break in the tape. Creation of compilations was usually by re-recording rather than splicing sections of songs because of the much smaller tape area(Sony VGP-BPS15 battery).

Applications

Audio

A dual compact cassette tape based Panasonic answering machine

The Compact Cassette was originally intended for use in dictation machines. In this capacity, some later-model cassette-based dictation machines could also run the tape at half speed (15⁄16 in/s) as playback quality was not critical(Sony VGP-BPS18 battery). The Compact Cassette soon became a popular medium for distributing prerecorded music—initially through The Philips Record Company (and subsidiary labels Mercury and Philips in the U.S.) (Sony VGN-FZ17 battery). As of 2009, one still finds cassettes used for a variety of purposes such as journalism, oral history, meeting and interview transcripts and so on. However, they are starting to give way to Compact Discs and more "compact" digital storage media(Sony VGN-FZ17G battery).

The Compact Cassette quickly found use in the commercial music industry. One artifact found on some commercially produced music cassettes was a sequence of test tones, called SDR (Super Dynamic Range, also called XDR, or eXtended Dynamic Range) soundburst tones(Sony VGN-FZ17L battery), at the beginning and end of the tape, heard in order of low frequency to high. These were used during SDR/XDR's duplication process to gauge the quality of the tape medium. Many consumers objected to these tones since they were not part of the recorded music(Sony VGN-FZ11S battery).

Broadcasting

News reporting, documentary and human interest broadcast operations often used portable Marantz PMD-series recorders for the recording of speech interviews. The key advantages of the Marantz portable recorders were the accommodation of professional microphones with an XLR connector(Sony PCGA-BP2E battery), normal and double tape speed recording for extended frequency response, Dolby and dbx noise reduction systems, manual or automatic gain control (AGC) level control, peak limiter, multiple tape formulation accommodation(Sony VGP-BPS14 battery), microphone and line level input connections, unbalanced RCA stereo input and output connections, live or tape monitoring, VU meter, headphone jack, playback pitch control and operation on AC power or batteries optimized for long duration(Sony VGN-FZ345E battery). Unlike less expensive portable recorders that were limited to automatic gain control (AGC) recording schemes, the manual recording mode preserved low noise dynamics and avoiding the automatic elevation of noise(Sony Vaio VGN-FZ18G battery).

Home studio

In the 1980s, Tascam introduced the Portastudio line of four- and eight-track cassette recorders for home studio use.

In the simplest configuration, rather than playing a pair of stereo channels of each side of the cassette, the typical "portastudio" used a four-track tape head assembly to access four tracks on the cassette at once (with the tape playing in one direction) (Sony VGN-FZ15M battery). Each track could be recorded to, erased or played back individually, allowing musicians to overdub themselves and create simple multitrack recordings easily, which could then be mixed down to a finished stereo version on an external machine(Sony VGN-FZ160E battery). To increase audio quality in these recorders, the tape speed was sometimes doubled to 3 3/4 inches per second in comparison to the standard 1 7/8 ips; additionally, dbx, Dolby B or Dolby C noise reduction provided compansion (Sony VGP-BPL4 battery) (compression of the signal during recording with equal and opposite expansion of the signal during playback), which yields increased dynamic range by lowering the noise level and increasing the maximum signal level before distortion occurs(Sony VGN-FZ18E battery). Multi-track cassette recorders with built-in mixer and signal routing features ranged from easy-to-use beginner units up to professional-level recording systems.

Although professional musicians typically only used multitrack cassette machines as "sketchpads," Bruce Springsteen's "Nebraska" was recorded entirely on a four-track cassette tape(Sony VGN-FZ180E battery).

Home dubbing

An opened Magnavox dual deck recorder with high-speed dubbing

Most compact cassettes were sold blank and used for recording (dubbing) the owner's records (as backup, to play in the car, or to make mixtape compilations), their friends' records or music from the radio(Sony VGN-FZ340E battery). This practice was condemned by the music industry with such alarmist slogans as "Home Taping Is Killing Music". However, many claimed that the medium was ideal for spreading new music and would increase sales(Sony VGN-FZ31E battery), and strongly defended at least their right to copy their own records onto tape. For a limited time in the early 1980s Island Records sold chromium dioxide “One Plus One” cassettes that had an album prerecorded on one side and the other was left blank for the purchaser to use. Cassettes were also a boon to people wishing to tape concerts (Sony VGN-FZ61B battery) (unauthorized or authorized) for sale or trade, a practice tacitly or overtly encouraged by many bands with a more counterculture bent such as the Grateful Dead. Blank Compact Cassettes also were an invaluable tool to spread the music of unsigned acts, especially within tape trading networks(Sony VGN-FZ480E battery).

Various legal cases arose surrounding the dubbing of cassettes. In the UK, in the case of CBS Songs v. Amstrad (1988), the House of Lords found in favor of Amstrad that producing equipment that facilitated the dubbing of cassettes(Sony VGN-FZ15T battery), in this case a high-speed twin cassette deck that allowed one cassette to be copied directly onto another, did not constitute the infringement of copyright. In a similar case, a shop owner who rented cassettes and sold blank tapes was not liable for copyright infringement even though it was clear that his customers were likely dubbing them at home. In both cases(Sony Vaio VGN-FZ18M battery), the courts held that manufacturers and retailers could not be held accountable for the actions of consumers.

As an alternative to home dubbing, in the late 1980s, the Personics company installed booths in record stores across America which allowed customers to make personalized mixtapes from a digitally-encoded back-catalogue with customised printed covers(Sony VGN-FZ15L battery).

Institutional Duplication

Educational, faith-based, corporate, military and broadcasting institutions benefitted from messaging proliferation through accessibly-priced duplicators, offered by Telex Communications, Wollensak, Sony and others(Sony VGN-FZ15 battery). The duplicators would operate at double or greater tape speed. Systems were scalable, enabling the user to initially purchase one "master" unit (typically with 3 "copy" bays) and add "slave" units for expanded duplication abilities(Sony VGN-FZ150E battery).

Data recording

A C2N Datassette recorder for Commodore computers

German-made cassettes sold for computer data recording, circa 1980

The Hewlett Packard HP 9830 was one of the first desktop computers in the early 1970s to use automatically controlled cassette tapes for storage(Sony Vaio VGN-FZ21M battery ). It could save and find files by number, using a clear leader to detect the end of tape. These would be replaced by specialized cartridges such as the 3M DC-series. Many of the earliest microcomputers implemented the Kansas City standard for digital data storage(Sony VGP-BPS2 battery). Most home computers of the late 1970s and early 1980s could use cassettes for data storage as a cheaper alternative to floppy disks, though users often had to manually stop and start a cassette recorder. Even the first version of the IBM PC of 1981 had a cassette port and a command in its ROM BASIC programming language to use it( Sony VGP-BPS3 battery). However, this was seldom used, as even then floppy drives had become commonplace in high-end machines.

The typical encoding method for computer data was simple FSK which resulted in typical data rates of 500 to 2000 bit/s, although some games used special faster loading routines, up to around 4000-bit/s(Sony VGP-BPS13 battery). A rate of 2000-bit/s equates to a capacity of around 660 kilobytes per side of a 90-minute tape.

Among home computers that primarily used data cassettes for storage in the late 1970s were Commodore PET (early models of which had a cassette drive built-in), TRS-80 and Apple II(Sony VGP-BPS10 battery), until the introduction of floppy disk drives and hard drives in the early 1980s made cassettes virtually obsolete for day-to-day use in the US. However, they remained in use on some portable systems such as the TRS-80 Model 100 line until the early 1990s(SONY VAIO VGN-FZ4000 Battery). Due to the high price of disks, cassettes also remained the primary data storage medium for 8-bit computers, such as the Commodore 64, ZX Spectrum and Amstrad CPC 464, in many countries (for example, the UK, where 8-bit software was mostly sold on cassette until that market disappeared altogether in the early 1990s.) (Sony VGP-BPS11 battery)

In some countries, including the United Kingdom, Poland, Hungary and the Netherlands, audio cassette data storage was so popular that some radio stations would broadcast computer programs that listeners could record onto cassette and then load into their computer. See BASICODE(Sony VGN-FZ460E battery).

The use of better modulation techniques like QPSK or those used in modern modems, combined with the improved bandwidth and signal to noise ratio of newer cassette tapes, allowed much greater capacities (up to 60 MB) and speeds (10–17 kB/s for data rate) on each cassette(Sony VGP-BPL15 battery). They found use during the 1980s in data loggers for scientific and industrial equipment.

An example of a streamer cassette, used exclusively for data storage

The audio cassette was also adapted into what is called a streamer cassette, a version solely dedicated for data storage(Sony VGP-BPL11 battery), and used chiefly for hard disk backups and other types of data. Streamer cassettes look almost exactly the same as a standard cassette, with the exception of having a notch about 1/4 inch wide and deep situated slightly off-center at the top edge of the cassette(Sony VGP-BPS9 battery). Streamer cassettes also have a re-usable write-protect tab on only one side of the top edge of the cassette, with the other side of the top edge having either only an open rectangular hole, or no hole at all(Sony VGP-BPL9 battery). This is due to the whole 1/8 inch width of the tape loaded inside being used by a streamer cassette drive for the writing and reading of data, hence only one side of the cassette being used. Streamer cassettes can hold anywhere from 50 to 160 megabytes of data(Sony VGP-BPS8 battery).

Successors

Size comparison of Elcaset (left) with standard Compact Cassette

Elcaset was a short-lived audio format created by Sony in 1976 that was about twice the size, using larger tape and a faster recording speed. Unlike the original cassette, the Elcaset was designed from the outset for sound quality. It was never widely accepted as the quality of standard cassette decks rapidly approached high fidelity(Sony Vaio VGN-FZ battery).

Technical development of the cassette effectively ceased when digital recordable media such as DAT and MiniDisc were introduced in the late 1980s and early 1990s. Anticipating the switch from analog to digital(Dell INSPIRON 1420 Battery), major companies such as Sony shifted their focus to new media. In 1992, Philips introduced the Digital Compact Cassette (DCC), a DAT-like tape in the same form factor as the compact audio cassette. It was aimed primarily at the consumer market(Dell Inspiron E1505 Battery). A DCC deck could play back both types of cassettes. Unlike DAT, which was accepted in professional usage because it could record without lossy compression effects, DCC failed in both home and mobile environments, and was discontinued in 1996(Dell Latitude D620 Battery).

A Compact Cassette and a microcassette

The microcassette has in many cases supplanted the full-sized audio cassette in situations where voice-level fidelity is all that is required, such as in dictation machines and answering machines(Dell RM791 battery). Even these, in turn, are starting to give way to digital recorders of various descriptions. Since the rise of cheap CD-R discs, and flash memory-based digital audio players, the phenomenon of "home taping" has effectively switched to recording to Compact Disc or downloading from commercial or music sharing websites(Dell N3010 battery).

Because of consumer demand, the cassette has remained influential on design over a decade after its decline as a media mainstay. As the Compact Disc grew in popularity, cassette-shaped audio adapters were developed to provide an economical and clear way to obtain CD functionality in vehicles equipped with cassette decks(Dell INSPIRON 1525 Battery). A portable CD player would have its analog line-out connected to the adapter, which in turn fed the signal to the head of the cassette deck. These adapters continue to function with MP3 players as well, and are generally more reliable than the FM transmitters that must be used to adapt CD players to MP3s(Dell Inspiron 6000 battery). MP3 players shaped as audio cassettes have also become available, which can be inserted into any tape player and communicate with the head as if they were normal cassettes(Dell Inspiron 6400 battery).